Иностранные языки : Сохранение национальной окраски при переводе художественных произведений - (курсовая)

Сохранение национальной окраски при переводе художественных произведений - (курсовая)

Дата добавления: март 2006г.

    Plan.
    Introduction. P. 3
    Chapter I
    Dialectics of national coloring in the translation. P. 5
    Chapter II
    Coloring and erasure of coloring. P. 13
    Chapter III
    Analogisms and anachronisms. P. 22
    Conclusion. P. 24
    Bibliography. P. 26
    Appendix. P. 28
    INTRODUCTION.

Translation is a mean of interlingual communication. The translator makes possible an exchange of information between users of different languages by producing in the target language a text which has an identical communicative value with the source text. This target text is not fully identical with the source text as to its form originality content due to the limitations imposed by the formal and semantic differences between the source language and target text.

National coloring of the work is one of examples of these differences. Now it is one of important themes to be studied/ During many years the USSR’s confines were closed and we had not much opportunity to interact with many foreign countries. Of course, we had a great number of foreign books but most of them were either classic books or books of working class